[MUSIC] MY NAME IS DRAKE PARKER. I'M JOSH NICHOLS.
I SHOULD PROBABLY BE DOING
I SHOULD PROBABLY BE DOING MY HOMEWORK.
MY HOMEWORK. JUST DOING
JUST DOING A LITTLE HOMEWORK HERE.
YOU KNOW, THERE'S AN OLD SONG
BY THE STONES THAT
SAYS, BY THE STONES THAT SAYS, "YOU CAN'T ALWAYS GET"
"YOU CAN'T ALWAYS GET WHAT YOU WANT."
DRAKE ALWAYS GETS
WHAT HE WANTS.
BUT I USUALLY GET
WHAT I WANT.
I GUESS,
I GUESS, DRAKE'S ONE OF THOSE GUYS
WHO HAS A LUCKY STAR.
JOSH MAY THINK JOSH MAY THINK I'M THE LUCKY ONE
BUT I BET YOU
THINGS START GOING HIS WAY.
AND THE ONE THING
I CAN ALWAYS COUNT ON...
BUT ONE THING
I KNOW FOR SURE...
WHENEVER I HANG OUT WHENEVER I HANG OUT WITH JOSH...
WITH JOSH... WHENEVER I GET MIXED UP
WITH DRAKE...
WITH DRAKE... THINGS ALWAYS TURN OUT...
UNUSUAL.
UNUSUAL. OKAY.
JOSH, WHAT ARE YOU EATING?
ENCHILADA.
WHERE'D YOU GET IT?
IN THE FRIDGE, IN THE BREAK ROOM, WHY?
THAT'S CRAZY STEVE'S ENCHILADA.
WHAT?
WHY DIDN'T HE LEAVE
A NOTE WITH HIS NAME ON IT.
THERE WAS NO NOTE.
NO, NO, NOTE.
OH, HERE HE COMES.
HI, JOSH.
STEVE.
I, I, I, I, I, DIDN'T KNOW
IT WAS YOUR ENCHILADA.
I JUST SAW IT IN THE FRIDGE
AND THERE WAS NO NOTE ON IT.
NO NOTE.
IT'S ALL RIGHT. I UNDERSTAND. YOU'RE NOT MAD?
YOU'RE NOT MAD? I THOUGHT YOU'D FLIP OUT.
NORMALLY, YES.
NORMALLY, YES. I WOULD FLIP OUT.
BUT MY PSYCHOLOGIST
WORKED OUT A PLAN WORKED OUT A PLAN WHERE I'M ONLY ALLOWED
TO GET ANGRY
FOUR TIMES EACH DAY.
NOW'S NOT THE TIME.
WHEN IS THE TIME?
OH, THAT'S A SECRET.
HEY, JOSH, WHERE DO YOU WANT I SHOULD PUT THIS MICROPHONE STAND?
RIGHT THERE IS FINE.
I TOLD 'YA.
ONE MORE WORD ONE MORE WORD AND YOU'RE GOING
TO STEAMBOAT SPRINGS WITHOUT ME.
SO DRAKE'S GONNA PERFORM
A SONG HERE, TONIGHT?
YEAH. HEY, YOU HEARD OF SPIN CITY RECORDS, RIGHT?
SURE.
SURE. ONE OF THE MAIN GUYS THERE
ALAN KRIM.
ALAN KRIM. HE'S IN FROM NEW YORK,
AND I GOT HIM TO COME HERE
TO SEE DRAKE PLAY LIVE.
HOW'D YOU HOOK THAT UP?
THIS GUY WE MET IN L.A.
YOU THINK YOU THINK HE'S GONNA GIVE DRAKE
A RECORD DEAL?
HE MIGHT.
HE MIGHT. ONCE HE HEARS DRAKE'S SONG.
IT'S TIME.
IT'S TIME. YOU ATE MY ENCHILADA.
THERE WAS NO NOTE.
YOU ATE MY ENCHILADA.
THERE WAS NO NOTE.
YOU ATE MY ENCHILADA.
THERE WAS NO NOTE.
♪ I NEVER THOUGHT ♪
♪ THAT IT'D BE SO SIMPLE ♪
♪ BUT I FOUND A WAY ♪
♪ I FOUND A WAY ♪
♪ IF YOU OPEN UP YOUR MIND ♪
♪ (SEE WHAT'S INSIDE) ♪
♪ IT'S GONNA TAKE SOME TIME ♪
♪ TO REALIZE (OOH OOH) ♪
♪ BUT IF YOU LOOK INSIDE ♪
♪ I'M SURE YOU'LL FIND ♪
♪ (OOH, OOH) ♪
♪ OVER YOUR SHOULDER YOU KNOW ♪
♪ THAT I TOLD YOU ♪
♪ I'll ALWAYS BE ♪
♪ PICKIN' YOU UP ♪
♪ WHEN YOU'RE DOWN ♪
♪ SO JUST TURN AROUND ♪
♪ OOH, OOH ♪
JOSH, HOW LONG CAN IT TAKE A YOUNG A MAN TO FIX A CORN DOG ROTISSERIE?
I JUST FINISHED.
IT'LL WORK NOW.
OKAY, DON'T YELL AT ME. FIX MY CORN DOG ROTISSERIE. OR YELL.
OR YELL. HI, HELEN.
HI, HELEN. OH. HEY, GIRLS.
HI. HI. HEY.
HEY. WHO'S THE DUDE?
OH, THAT'S MY HUSBAND,
WALTER.
WALTER. WE'VE MET, LIKE, FIVE TIMES.
WELL, I DO NOT REMEMBER YOU.
NO ONE DOES.
SO, I HEAR
YOU'RE GETTING MARRIED YOU'RE GETTING MARRIED NEXT WEEK.
NEXT WEEK. THAT'S SO GREAT. THAT'S SO GREAT. YEAH, YEAH.
YEAH, YEAH. THE ONLY PROBLEM IS THE ONLY PROBLEM IS EVERYBODY IN MY FAMILY
WANTS TO STAY AT MY HOUSE.
BUT I JUST DON'T HAVE
THAT MUCH ROOM IN MY CONDO.
OH, WE HAVE PLENTY EXTRA ROOM
AT OUR HOUSE.
OH, I CAN NEVER IMPOSE ON YOU
IN THAT WAY.
AH IT'S NO TROUBLE.
OKAY, THEN
OKAY, THEN I'll TELL MY GRANDMOTHER
SHE CAN STAY AT YOUR HOUSE.
JOSH.
JOSH. OH, HEY MINDY.
HEY, WHAT TIME'S DRAKE GO ON?
NOBODY GOES ON NOBODY GOES ON TILL JOSH FIXES
MY CORN DOG ROTISSERIE.
WELL, I CAN'T FIX IT.
ALL RIGHT, THESE CORN DOGS
REFUSE TO ROTATE.
I GOT THIS.
MM-HMM.
MM-HMM. MOVE.
HEY, NICE GOING MINDY.
HEY, DRAKE'S HERE. GOOD.
HEY. OH, HEY, MAN. IS KRIM HERE?
IS KRIM HERE? YEAH. YEAH, YEAH.
YEAH. YEAH, YEAH. COME ON, I'll INTRODUCE YOU.
MR. KRIM?
MR. KRIM? I THINK YOU KNOW
WHO THIS GUY IS.
DRAKE PARKER, DRAKE PARKER, I'M VERY EXCITED
TO HEAR YOU PLAY LIVE.
DON'T SCREW THIS UP.
LOOK AT THESE CORN DOGS ROTATE.
CORN DOG, PLEASE.
I HOPE HE LIKES MY SONG.
YOU MAKE HIM LIKE IT.
JUST GO UP THERE
AND BLOW HIS UNDERPANTS OFF.
THAT'S NOT PHRASE?
IT'S GONNA BE.
NOW GO PLAY.
ALL RIGHT.
ALL RIGHT. HI, YOU GUYS READY
TO SHOOT THIS?
I'll GET THE LIGHTS.
HEY, EVERYBODY,
THANKS FOR COMING BY.
THIS IS A NEW SONG I WROTE AND HOPE YOU LIKE IT.
[APPLAUSE]
[APPLAUSE] [MUSIC]
♪ HELLO LET'S GO ♪ ♪ EVERYBODY MUST KNOW ♪ ♪ LOVE IN MY HEART ♪
♪ LOVE IN MY HEART ♪ ♪ LIKE A BOMB ♪
♪ IT'S BLOWING A SONG ♪
♪ INSIDE I'M SINGING ♪
♪ SUNSHINE ♪
♪ THAT YOU'RE BRINGING NOW ♪
♪ AND IT MAKES ME HAPPY ♪
♪ OH NO RADIO ♪
♪ IT'S COMING BACK IN STEREO ♪
♪ IT SOUNDS LIKE A SONG ♪
♪ THAT I WROTE ♪
♪ I'M HOLDING A NOTE ♪
♪ THAT WON'T STOP RINGING ♪
♪ I JUST CAN'T STOP ♪
♪ SINGING NOW ♪
♪ 'CAUSE IT MAKES ME HAPPY ♪
♪ YOU'RE EVERYTHING I NEED ♪ ♪ HANDED FROM ABOVE ♪ ♪ I JUST CAN'T GET ENOUGH ♪
♪ HANDED FROM ABOVE ♪ ♪ I JUST CAN'T GET ENOUGH
♪ ♪ OF YOUR LOVE ♪
♪ IT MAKES ME HAPPY ♪
♪ MEET ME IN THE MIDDLE ♪ ♪ IT JUST GOT SO SIMPLE NOW ♪ ♪ 'CAUSE IT MAKES ME HAPPY ♪
♪ SAVE THE RAINY DAYS ♪ ♪ ANGST ANOTHER TIME ♪ ♪ I'M JUST HERE TO SAY ♪
♪
READ BETWEEN THE LINES ♪
♪ I'M SO GLAD THAT YOU'RE MINE ♪
♪ 'CAUSE IT MAKES ME HAPPY ♪
♪ MAKES ME WANNA SING ♪
AHA. YOU DID IT. DRAKE PARKER. MAN, YOU JUST BLEW
MY UNDERPANTS OFF.
UH-HUH.
UH-HUH. LISTEN, I'M DRIVING UP
TO L.A. TONIGHT. TO L.A. TONIGHT. WHY DON'T YOU GUYS
COME UP ON FRIDAY MEET ME
AND SOME OF THE OTHER
PEOPLE AND SOME OF THE OTHER PEOPLE AT THE LABEL.
MAYBE TALK RECORD DEAL?
ABOUT 2:00?
ABOUT 2:00? JUST NOD IF YOU'RE COMING.
SEE YOU THERE.
HE LOVED MY SONG.
YOU MIGHT GET A RECORD DEAL.
YOU ATE MY ENCHILADA.
I THOUGHT WE SETTLED THIS.
YOU ATE MY ENCHILADA.
I THOUGHT WE SETTLED THIS.
YOU ATE MY ENCHILADA.
I THOUGHT WE SETTLED THIS.
YOU ATE MY ENCHILADA.
[MUSIC]
OOH, AND, HEY, I GOT AN IDEA FOR YOUR ALBUM COVER. I ALREADY PICTURE YOU
I ALREADY PICTURE YOU IN THE OCEAN
IN THE OCEAN RIDING A BLACK DOLF...
WAIT, WAIT, WAIT.
ARE YOU EATING SUSHI
OFF OF MY GUITAR?
YEAH? YEAH? WHY?
WHY? DOES IT UPSET YOU?
YES.
YES. WELL, THAT'S WHY.
YEAH, YEAH, YEAH. YEAH, YEAH, YEAH. YOU JUST BETTER START
BEING A LITTLE NICER TO US.
AND WHY WOULD I DO THAT?
BECAUSE WE'RE DRIVING TO L.A. TODAY TO L.A. TODAY TO MEET WITH THE HEAD
OF SPIN CITY RECORDS.
WHERE I MIGHT JUST GET
A MAJOR RECORD DEAL, WHICH MEANS
WHICH MEANS I COULD BECOME A BIG STAR.
YEAH. OR YOU COULD BOMB
AND SPEND THE REST OF YOUR LIFE AND
SPEND THE REST OF YOUR LIFE LIVING IN THE BACK OF YOUR CAR
EATING DOG FOOD OUT OF A CAN. NOW, HONESTLY,
NOW, HONESTLY, WHICH SEEMS MORE REALISTIC?
[BELL RINGING]
[BELL RINGING] WALTER, SHE'S HERE.
OOH.
OOH. WHO'S HERE?
WHO'S HERE? HELEN, WITH HER GRANDMOTHER.
OOH.
OOH. HEY, CAN WE HAVE
A LITTLE BETTER ATTITUDE
ABOUT THIS?
ABOUT THIS? WE'RE DOING A NICE THING
FOR A SWEET OLD LADY.
WHERE'S THE BATHROOM?
DID YOU JUST BREAK OUR DOOR IN?
I RANG THE DOORBELL,
I WAITED 25 SECONDS,
NOBODY CAME, WHAT WAS I SUPPOSED TO DO?
MAYBE RING THE BELL AGAIN.
WHO'S THE BOY WHO'S THE BOY WITH THE BIG HEAD
LOOK LIKE A TOOTH PICK
WITH A CANTALOUPE ON TOP?
WHAT, ARE WE GONNA PRETEND THAT WASN'T FUNNY?
LULA THAT'S JOSH.
HE WORKS FOR ME AT THE PREMIERE.
THAT'S DRAKE. THAT'S DRAKE. I PREFER HIM.
THAT'S MEGAN, MRS. PARKER,
AND THIS IS, HMM...
WALTER.
WALTER. HMM.
HMM. AND WHAT DO WE CALL YOU?
LULA. WHERE'S THE BATHROOM?
IT'S THAT RIGHT
THERE IT'S THAT RIGHT THERE THROUGH THAT DOOR.
WELL, THANK YOU
FOR FINALLY GIVING ME THAT INFORMATION.
THAT INFORMATION. WHOO, LORD.
WHOO, LORD. IS SHE ALWAYS SO...
BUH-BYE.
HOW BAD CAN IT BE? I CAN'T BELIEVE THAT LADY'S STAYING IN OUR GUEST ROOM
I CAN'T BELIEVE THAT LADY'S STAYING IN OUR
GUEST ROOM STAYING IN OUR GUEST ROOM FOR A WEEK.
FOR A WEEK. SHE'S NOT.
SHE'S NOT. SHE'S GOING TO STAY
IN YOUR ROOM. IN YOUR ROOM. WHAT?
WHAT? YOU'RE GONNA STAY YOU'RE GONNA STAY IN THE BOYS' ROOM.
WHAT?
WHAT? THIS IS AN OUTRAGE.
AND WHERE ARE WE GONNA STAY?
YOUR ROOM'S HUGE.
THE THREE OF YOU WILL BE FINE
FOR A WEEK.
THIS IS HORRIBLE.
IT'S NOT THAT BAD.
OH, NO.
OH, NO. YOU PEOPLE NEED A NEW TOILET.
[MUSIC]
♪ HERE'S THE SUN SHINNING DOWN ♪ ♪ I KNOW NOTHING HERE COULD ♪
RIGHT THIS WAY. SO YOU LIKE THE OFFICE? YEAH. YOU LIKE ME?
SO YOU LIKE THE OFFICE? YEAH. YOU LIKE ME? YEAH. YOU LIKE ME? SURE.
SURE. YEAH. THEN WE'RE ALL HAPPY.
HEY, HEY, THERE HE IS. HEY, ALAN. DRAKE, JOSH,
DRAKE, JOSH, I WANT YOU TO MEET NICK MATEO.
COOL. WHERE IS HE?
I'M RIGHT HERE.
OH, HI.
OH, HI. NICK IS THE PRESIDENT
OF SPIN CITY RECORDS.
OH.
OH. WE'RE SORRY, MR. PRESIDENT.
CALL ME, NICK. CALL ME, NICK. HEY, NICK.
HEY, NICK. HI, NICK.
HI, NICK. HOW ARE YOU?
SIT DOWN BOYS.
RIGHT IN THOSE CHAIRS THERE.
YOU KNOW, THOSE CHAIRS VIBRATE. PULL THE LEVER
ON YOUR LOWER LEFT.
YOU LIKE THE CHAIRS? OH, ABSOLUTELY. DRAKE,
DRAKE, I'M A STRAIGHT SHOOTER.
WE'D LIKE TO MAKE A RECORD DEAL
WITH YOU.
WITH YOU. AND ARE YOU FAMILIAR
WITH DAKA SHOES?
YEAH. YEAH. I'M ROCKIN'
I'M ROCKIN' MY DAKA AIR PUFFS, RIGHT NOW.
GOOD. THE HEAD OF MARKETING AT DAKA WANTS TO USE YOUR SONG
WANTS TO USE YOUR SONG FOR THEIR NEW COMMERCIAL,
WHICH IS GONNA DEBUT
DURING THE SUPERBOWL.
HOW DOES THAT SOUND? I SAY, HOW DOES THAT SOUND?
BOYS?
I THINK WE HAVE A DEAL.
[MUSIC]
OKAY, JUST GONNA DO A QUICK MIC CHECK HERE. DRAKE, JUST GONNA DO
A QUICK MIC CHECK. OVER.
YOU REALLY DON'T NEED TO SAY OVER.
ROGER THAT. ROGER THAT. STOP IT.
STOP IT. SORRY.
SORRY. JOSH. HEY, HOW GOES IT?
HEY, GREAT, GREAT,
GREAT, AWESOME.
GREAT, AWESOME. THIS IS DRAKE'S BROTHER...
MANAGER.
MANAGER. AND MANAGER, JOSH.
CALL DRAKE IN.
DRAKE, CAN YOU COME IN HERE?
THIS KID'S GONNA BE HUGE.
I'M TELLIN' 'YA.
WHAT'S UP GUYS?
SO, DRAKE.
SO, DRAKE. THIS IS FRANK.
HI, FRANK.
HI, FRANK. MR. PARKER.
MR. PARKER. FRANK WILL BE FRANK WILL BE YOUR PERSONAL ASSISTANT.
ANYTHING YOU NEED, TELL FRANK.
OH, COOL.
OH, COOL. CAUSE I WAS A LITTLE THIRSTY,
I WAS WONDERIN' IF I...
ON IT.
ON IT. COULD GET A SODA.
HE'LL BE BACK.
OKAY, I JUST NEED
TO GO OVER A LITTLE PAPERWORK
WITH YOUR MANAGER HERE.
ME.
ME. SO WHY DON'T YOU GO
IN THE BOOTH AND WARM UP.
YEAH, WHY DON'T YOU GO
WARM THINGS UP IN THERE.
SURE.
SURE. ALL RIGHT.
ALL RIGHT. SO, PAPERWORK.
SO, PAPERWORK. YEAH, I HATE THE STUFF
BUT, YOU KNOW, LAWYERS... AH LAWYERS.
AH LAWYERS. ANYWAY,
ANYWAY, I CAN'T START RECORDING
TILL I HAVE A SIGNED CONTRACT
FROM THE TALENT.
AH. THE CONTRACTS.
YEAH, IT'S ALL YEAH, IT'S ALL STANDARD AND STUFF.
LOOKS STANDARD.
DRINKS FOR DRAKE. ANYWAY,
ANYWAY, IT'S JUST A STANDARD CONTRACT.
YOU SIGN ONCE HERE, ONCE HERE,
ONCE HERE, AND ONCE HERE,
AND ONCE HERE, AND ONCE HERE.
AND ONE...
AND ONE... SHRIMP.
SHRIMP. OH. AND JUST RIGHT THERE.
LOOK AT THESE SHRIMP.
YEAH. THEY'RE GREAT.
SO IF YOU COULD JUST SIGN RIGHT... RIGHT... I'VE NEVER SEEN SHRIMP
I'VE NEVER SEEN SHRIMP THIS BIG.
THIS BIG. YEAH, I THINK YEAH, I THINK THEY'RE CALLED PRAWNS.
PRAWNS?
PRAWNS? VERY BIG SHRIMP.
YEAH, THEY ARE.
LOOK AT THIS.
HAVE YOU EVER SEEN ONE THIS BIG?
IT'S A VERY BIG SHRIMP.
YEAH, I'll SAY.
LOOK, I DON'T MEAN LOOK, I DON'T MEAN TO SOUND PUSHY,
BUT THIS SOUND BOOTH
COSTS LIKE A THOUSAND DOLLARS
AN HOUR,
AN HOUR, SO IF YOU COULD JUST SIGN
THE DEAL.
THE DEAL. YEAH.
YEAH. RIGHT THERE.
RIGHT THERE. FLIP THE PAGE. FLIP THE PAGE. COOL.
COOL. RIGHT THERE.
RIGHT THERE. ALL RIGHT.
ALL RIGHT. CAN I HAVE SOME COCKTAIL SAUCE?
OH.
OH. OH, MY GOD.
THEY'RE GOOD.
I'VE JUST NEVER SEEN SHRIMP LIKE THAT. I KNOW.
I KNOW. THEY WERE SO BIG.
THEY WERE SO BIG. SO BIG.
SO BIG. HEY, LULA.
HEY, LULA. DRINK. JUICE.
DRINK. JUICE. DID SHE JUST CALL US
DRINK AND JUICE?
WHO CARES?
WHO CARES? I JUST GOT YOU A RECORD DEAL.
OH, MAN, I KNOW. OH, MAN, I KNOW. COME ON.
COME ON. LET'S TELL EVERYBODY WE KNOW.
OKAY.
OKAY. I CANNOT BELIEVE...
PLEASE DON'T SCREAM IN MY ROOM. YOUR ROOM?
YOUR ROOM? WHAT HAVE YOU DONE TO IT?
MOM AND WALTER
SAID MOM AND WALTER SAID I HAVE TO STAY HERE
TILL LULA LEAVES. TILL LULA LEAVES. AND I'M NOT GONNA SLEEP
IN SOME PLACE
THAT'S ALL BOY-INFESTED.
YOU HAD NO RIGHT
TO FEMINIZE OUR ROOM. YEAH. AND WHAT...
WHAT IS THIS?
WHY IS MY BED WEARING A SKIRT?
IT'S A DUST RUFFLE. IT'S A DUST RUFFLE. I HATE IT.
WELL, IF DUST RUFFLES WELL, IF DUST RUFFLES FELT EMOTIONS,
FELT EMOTIONS, I'M SURE IT'D HATE YOU TOO.
AND JUST
AND JUST WHERE DO YOU EXPECT US TO SLEEP?
I LEFT SPACE FOR YOU TWO.
OVER THERE IN THE CORNER.
HERE? THIS IS ALL WE GET? YOU HAVE A LAMP, A FOOTBALL,
YOU
HAVE A LAMP, A FOOTBALL, AND AN AIR MATTRESS FOR TWO.
THAT'S ALL YOU NEED.
I DEEM THIS UNACCEPTABLE.
NO ONE CARES
WHAT YOU DEEM, JOSH.
OH, YEAH?
OH, YEAH? MOM AND WALTER WILL.
YEAH, AND WE'RE GONNA GO
TELL 'EM RIGHT NOW.
YEAH. THEY'RE GONNA MAKE YOU
PUT OUR ROOM BACK
TO THE WAY IT WAS.
OKAY. THEN I'll TELL THEM.
OKAY. THEN I'll TELL THEM THAT IT WAS YOU TWO THAT IT WAS YOU TWO THAT SPRAY-PAINTED.
THAT SPRAY-PAINTED THE HENDERSON'S GAZEBO.
THAT WASN'T US.
AND WHO DO YOU THINK AND WHO DO YOU THINK THEY'RE GONNA BELIEVE?
YOU BOOBS OR ME?
YOU KNOW...
YOU KNOW... OH, GIVE ME A...
[MUSIC]
ALL RIGHT. ALL RIGHT. QUIET DOWN, EVERYBODY.
QUIET DOWN, EVERYBODY. EVERYBODY, OH, CALM DOWN.
NOW QUIET DOWN. NOW QUIET DOWN. COME ON, NOW.
SHUSH, SHUSH.
SHUSH, SHUSH. LISTEN UP. LISTEN UP. HELEN'S GOT SOMETHING
TO TELL YOU.
QUIET!
QUIET! THANK YOU, CRAZY STEVE.
NOW, I WANT TO CALL THIS MEETING
BEFORE WE OPEN BEFORE WE OPEN 'CAUSE I GOT SOMETHING
TO TELL YOU, PEOPLE.
WE'RE EXCITED TO HEAR
ANYTHING YOU HAVE TO SAY. UH-HUH. UH-HUH. SEE, AFTER ME AND BUZZ
GET MARRIED NEXT WEEK,
I WILL BE CUTTING BACK ON MY
HOURS HERE AT THE PREMIERE.
SO I'VE DECIDED
TO NAME A NEW ASSISTANT MANAGER.
I'VE CHOSEN A PERSON
WHO IS RESPONSIBLE,
HIGHLY INTELLIGENT, AND HAS NO CRIMINAL RECORD.
DANG IT!
SO NOW, WITHOUT FURTHER ADO, I'D LIKE TO PRESENT THIS GOLD VEST
THIS GOLD VEST TO THE NEW ASSISTANT MANAGER,
MINDY CRENSHAW.
MINDY CRENSHAW. COME ON OUT HERE, MINDY.
MEET THE DREGS.
THERE'S YOUR LITTLE GOLD VEST.
NOW, I GOTTA GO TAKE MY FIANCE
TO MEET THE RABBI.
BUH-BYE.
BUH-BYE. SEE YOU.
SEE YOU. CLOSE YOUR MOUTH.
BUGS COULD NEST.
HOW COULD YOU?
SPECIFY? SPECIFY? WELL, YOU KNOW I'VE WANTED
THE ASSISTANT MANAGER JOB HERE
FOR THREE YEARS.
YOU KNOW IT'S MY DREAM
TO BE A GOLD VEST.
YES, I KNOW,
AND I FEEL BAD ABOUT THIS.
BUT I DIDN'T GO TO HELEN,
ALL RIGHT? ALL RIGHT? SHE CAME TO ME.
PLUS, I CAN USE THE EXTRA MONEY.
OH WELL, COME ON.
YOUR DAD'S YOUR DAD'S THE NUMBER ONE DISTRIBUTOR
OF SALMON ON THE WEST COAST.
YOU'RE JUST SWIMMIN'
IN SALMON MONEY.
I LIKE TO EARN MY OWN MONEY.
NO, NO, NO, NO.
YOU JUST LIKE TO BEAT ME
AT EVERYTHING, ALL
RIGHT? AT EVERYTHING, ALL RIGHT? IT GIVES YOU
SOME KIND OF CHEAP THRILL. SOME KIND OF CHEAP THRILL. ALWAYS HAS.
ALWAYS HAS. JOSH, THAT'S NOT... JOSH, THAT'S
NOT... YOU KNOW, YOU KNOW, I'VE NEVER FELT BETTER
ABOUT THE FACT THAT WE BROKE UP.
OKAY, I DON'T THINK
YOU'RE BEING ENTIRELY
FAIR. YOU'RE BEING ENTIRELY FAIR. FORGET IT.
FORGET IT. I'M TAKING A BREAK. I'M TAKING A BREAK. OH, YOU CAN TAKE A BREAK
IN 20 MINUTES.
RIGHT NOW,
RIGHT NOW, GO CLEAN THE WOMEN'S RESTROOMS.
OKAY, FINE, BOSS.
NOBODY BUYS SALMON ANYMORE.
HOWDY, BOYS. HEY ALAN, WHAT'S UP? I THINK YOU'RE GONNA BE HAPPY
WHEN YOU HEAR THIS.
WHEN YOU HEAR THIS. IS THAT MY SONG? IS THAT MY SONG? IS, INDEED.
IS, INDEED. WE JUST FINISHED IT LAST NIGHT.
AND I THINK
YOU'RE GONNA LIKE WHAT YOU HEAR.
PUT IT IN.
POP THAT SUCKER IN.
LET'S HEAR IT.
ENJOY.
[MUSIC]
♪ HELLO LET'S GO ♪ ♪ EVERYBODY MUST KNOW ♪ ♪ LOVE'S IN MY HEART ♪
♪ EVERYBODY MUST KNOW ♪ ♪ LOVE'S IN MY HEART
♪ ♪ LIKE A BOMB ♪
♪ IT'S BLOWING A SONG ♪
♪ INSIDE I'M SINGING ♪
♪ SUNSHINE ♪
♪ THAT YOU'RE BRINGING NOW ♪
WHAT DO YOU THINK? ♪ AND IT MAKES ME HAPPY ♪
WELL...
WELL... I HATE IT.
YOU HATE IT?
YEAH. IT'S NOT EVEN MY SONG.
WHAT'D YOU DO TO IT?
WE JUST HAD OUR BEST MIXERS
AND PRODUCERS WORK ON IT
FOR SIX DAYS STRAIGHT.
IT'S GREAT.
IT'S GREAT. YEAH, BUT IT'S NOT THE SONG
YOU SAID YOU LIKED.
YEAH, IT IS. YEAH, IT IS. IT'S JUST BEEN IMPROVED.
NO, IT'S BEEN RUINED. NO, IT'S BEEN RUINED. DRAKE.
DRAKE. WELL, DON'T DRAKE ME.
THEY CAN'T DO THAT TO MY SONG.
SURE, WE CAN.
WE HAVE A SIGNED CONTRACT
THAT GIVES US
COMPLETE CREATIVE CONTROL.
LOOK, NO, YOU DON'T.
I DIDN'T SIGN ANY CONTRACT.
YOUR MANAGER DID.
YOU SIGNED A CONTRACT?
AH. WE'LL LET YOU GUYS DISCUSS THIS PRIVATELY.
DON'T BE MAD. OH, I'M WAY PAST MAD. OH, I MADE A MISTAKE.
HOW COULD YOU SIGN AWAY
CREATIVE CONTROL OF MY SONG? I WAS MESMERIZED
BY GIANT SHRIMP.
YOU DIDN'T READ THE CONTRACT,
DID YOU?
DID YOU? HOW COULD YOU SIGN THE CONTRACT
WITHOUT READING IT?
HE SAID
HE SAID IT WAS THE STANDARD STUFF.
OH, MY GOD.
MAYBE I CAN FIX THIS, RIGHT.
I'll GO TALK TO
ALAN I'll GO TALK TO ALAN AS YOUR MANAGER.
NO, YOU WON'T. NO, YOU WON'T. NO, NO.
NO, NO. LOOK, MAYBE I CAN FIX THIS.
NO, YOU'RE NOT
MY MANAGER ANYMORE, ALL RIGHT?
YOU'RE FIRED.
YOU'RE FIRED. I MEAN IT.
MAN, I HAVE A HEADACHE. ASPIRIN? GET OUT OF HERE, FRANK.
GET OUT OF HERE, FRANK. ON IT.
[MUSIC]
WHY ARE YOU SCREAMING? BECAUSE THERE WAS A BIG, HAIRY FOOT IN MY FACE.
HAIRY FOOT IN MY FACE. BE QUIET.
BE QUIET. IT'S 6:00 IN THE MORNING.
OH, WHY DON'T YOU JUST
GO BACK TO SLEEP?
WHY DON'T YOU GO
SHAVE YOUR FOOT? CAN WE DISCUSS CAN WE DISCUSS JOSH'S FOOT HAIR
IN ABOUT FOUR HOURS, PLEASE?
HE'S NOT MAD
ABOUT MY FOOT HAIR,
ALL RIGHT? ALL RIGHT? HE'S MAD
HE'S MAD ABOUT HIS RECORD CONTRACT.
YEAH, THE ONE
THAT YOU SCREWED UP.
OH, LIKE YOU NEVER SCREWED UP
ANYTHING FOR ME.
I'M TRYING TO SLEEP.
HOW COULD YOU FIRE ME? HOW COULD YOU FIRE ME? HOW COULD YOU FIRE
YOUR OWN BROTHER?
BECAUSE I PREFER BECAUSE I PREFER TO HAVE A MANAGER
THAT DOESN'T RUIN MY CAREER.
BUT I MADE A MISTAKE.
YOU'RE A MISTAKE.
YOU'RE BOTH MISTAKES.
I FIXED THE TOILET.
YOU'RE WELCOME.
OH. OH. OH. OH.
HEY, MINDY. OH, HI, HELEN. THAT WAS A WONDERFUL IDEA
HAVIN' JOSH SCRAPE
HAVIN' JOSH SCRAPE ALL THAT NASTY CHEWED GUM
OFF THOSE TABLE BOTTOMS.
OH, THERE'S A TOOTH
STUCK TO THIS ONE. WELL, THANKS. WELL, THANKS. I'M ALSO HAVING LEAH
LUBE ALL THE FILM PROJECTORS,
AND I'VE GOT CRAZY STEVE
STEAM-CLEANING THE CARPETS. I THINK OF EACH STAIN
AS MY FATHER.
THIS IS FOR MAKING ME
DO MOM'S LAUNDRY.
WELL, MINDY, WELL, MINDY, I HAVE NEVER SEEN
THIS PLACE RUNNING SO SMOOTHLY.
I CERTAINLY MADE
THE RIGHT CHOICE PICKING YOU
AS ASSISTANT MANAGER.
YOU'RE THE BEST, HELEN.
HEY, HELEN. OOH, TIME FOR MY NEXT APPOINTMENT.
NEXT APPOINTMENT. COME SIT OVER HERE, NERDS.
ALL RIGHT. WE'VE PUT TOGETHER A COMPLETE VIDEO PACKAGE
A COMPLETE VIDEO PACKAGE FOR YOU.
FOR YOU. GOOD. GOOD.
GOOD. GOOD. LET'S SEE YOUR PACKAGE.
OKAY, WE'LL VIDEOTAPE
YOUR WHOLE WEDDING. WITH TWO INDIVIDUAL CAMERAS.
AND WE'LL USE AND WE'LL USE SPECIAL MICROPHONES
SPECIAL MICROPHONES TO MAKE SURE
WE GET GOOD, CLEAR AUDIO.
WELL, I DO LIKE MY AUDIO
BOTH GOOD AND CLEAR.
AND WE'LL DELIVER THE COMPLETE
THE COMPLETE EDITED WEDDING VIDEO
FOR ONLY $275.
CASH.
CASH. WHAT DO YOU SAY?
REALLY?
REALLY? OH, SOUNDS VERY NICE.
BUT LET'S MAKE IT $30.
THIRTY DOLLARS?
THIRTY DOLLARS? WE'D LOSE MONEY.
TWENTY. TWENTY. OKAY. TWENTY.
OKAY. TWENTY. TWENTY'S FINE.
TWENTY'S FINE. THIS IS FOR SENDING ME
TO FAT CAMP.
HI, YEAH. THIS IS ALAN KRIM, SPIN CITY RECORDS.
SPIN CITY RECORDS. I'M JUST WONDERING
I'M JUST WONDERING WHAT PARKING SPACE NUMBER
I WAS AGAIN?
OH, THE ONE WITH MY NAME ON IT,
OF COURSE.
OF COURSE. UH, NO, I WAS MAKING SURE.
OH, AND IF YOU SEE ME,
I'D PROBABLY WON'T REMEMBER
THIS CONVERSATION.
THIS CONVERSATION. THANKS. BYE.
THANKS. BYE. SCRAPE THE GUM
OFF THE TABLE BOTTOMS.
MINDY. I CAN'T BELIEVE
SHE HAD THE NERVE TO...
WHAT'S IN THAT CONTAINER? FRUIT FLIES.
FRUIT FLIES. FRUIT FLIES?
FRUIT FLIES? DON'T BOTHER ME.
HEY, HEY, DON'T WALK AWAY FROM ME. I WANNA KNOW WHAT YOU'RE DOING
I WANNA
KNOW WHAT YOU'RE DOING WITH A BOX FULL OF FRUIT FLIES.
LOOK, WHY DON'T YOU JUST...
OH, BOYS.
OH, BOYS. YEAH, NOT REALLY.
WHAT'S GOING ON IN HERE?
WE'RE DECORATING CAKES FOR THE SEVENTH GRADE BAKE SALE.
NOW GET OUT.
WHY CAN'T YOU DO THIS WHY CAN'T YOU DO THIS IN THE KITCHEN?
WHY CAN'T YOU FALL DOWN
A WELL?
A WELL? NOW GET OUT OF HERE.
NO, ONE OF THEM'S CUTE.
EXPLAIN YOUR FRUIT FLIES. OKAY, IF ALAN KRIM'S
GONNA RUIN MY SONG,
I'M GONNA RUIN SOMETHING OF HIS.
LIKE WHAT?
LIKE WHAT? I'll DRIVE UP TO L.A.,
PUT THE FRUIT FLIES IN HIS CAR,
THEY'LL LAY EGGS,
AND FOR THE REST OF HIS LIFE,
HE'LL HAVE TO DRIVE
EVERYWHERE HE'LL HAVE TO DRIVE EVERYWHERE WITH FRUIT FLIES
SWARMING AROUND HIM GOING...
[MAKES BUZZING SOUND]
WELL, THAT CERTAINLY
IS A MATURE WAY TO HANDLE THIS SITUATION.
HE RUINED MY SONG.
SOMEBODY'S GOT TO TAKE ACTION. OKAY, I SENT HIM
A VERY ANGRY E-MAIL.
WITH, LIKE, NINE FROWNY FACES.
YOU KNOW
WHAT? YOU KNOW WHAT? YOU DON'T GET IT, JOSH.
YOU NEVER WILL. YOU NEVER WILL. WHAT DON'T I GET?
THAT WHEN PEOPLE PLAY DIRTY,
SOMETIMES YOU GOTTA PLAY
DIRTY BACK.
DIRTY BACK. THAT'S WHAT YOU DON'T GET.
YOU ALWAYS GOTTA PLAY
BY THE RULES.
RULES ARE THE FOUNDATION
OF A GENTLE SOCIETY.
YOU SEE, THAT IS WHY YOU WILL ALWAYS BE A LOSER.
FINE, I'll TELL HIM. JOSH, MOLLY THINKS YOU'RE CUTE. EEW.
JOSH, MOLLY THINKS YOU'RE CUTE. EEW. EEW. CALL ME.
CALL ME. EEW.
I'M SO SORRY. SORRY, I DIDN'T MEAN TO SCARE YOU.
TO SCARE YOU. NO WORRIES.
NO WORRIES. THAT WAS FUN.
WHAT DO YOU NEED?
IS ALAN KRIM HERE?
NO, HE LEFT
ABOUT A HALF AN HOUR AGO. WHY?
LOOK, I KNOW
YOU HAVE EVERY RIGHT YOU HAVE EVERY RIGHT TO MAKE DRAKE'S SONG
SOUND HOWEVER YOU WANT.
I JUST REALLY THINK
THAT THE ORIGINAL VERSION
IS WAY BETTER...
KID...
KID... LOOK, JUST LISTEN TO IT.
ALL RIGHT?
ALL RIGHT? IT'S REALLY GREAT.
JOSH, THE SUPER BOWL'S
TOMORROW.
TOMORROW. A WOMAN A WOMAN FROM THE COMMERCIAL COMPANY'S
ON HER WAY HERE RIGHT NOW TO PICK UP THE SONG.
IT'S DONE.
IT'S DONE. [PHONE RINGING]
[PHONE RINGING] BUT I STILL DON'T THINK BUT I
STILL DON'T THINK IT'S FAIR TO CHANGE HIS SONG.
I GOTTA TAKE THIS.
HEY, BABY. HUH?
NO, NO, NO.
I SAID BEHIND THE TURTLE.
HUH?
HUH? I...
STUPID BIG SHRIMP. THIS IS ALL YOUR FAULT.
TELL YOUR FRIENDS.
HI. I'M WITH DAKA SHOES. I'M SUPPOSED TO PICK UP A SONG. FOR THE SUPER BOWL
FOR THE SUPER BOWL COMMERCIAL?
COMMERCIAL? YEAH, AND I'M IN HUGE HURRY,
SO CAN I JUST GET THE CD?
YEAH. YEAH, YEAH, YEAH.
ONE SECOND.
ONE SECOND. THANKS.
OH, YEAH. HEY, HERE IT IS. DAKA SHOE COMMERCIAL
DAKA SHOE COMMERCIAL SUPER BOWL FINAL MIX.
SUPER BOWL FINAL MIX. HERE YOU GO.
THANKS. WOW.
THANKS. WOW. THOSE SHRIMP ARE HUGE.
I DIDN'T EVEN KNOW
THEY COME THAT BIG.
I DIDN'T EITHER.
I HAD TO LEARN THE HARD WAY.
JUST FORGET THEM. GO.
[MUSIC]
WHEN IT COMES TO EATING, THIS CAT'S A PROBLEM. HE HATES TUNA, SHRIMP,
HE HATES TUNA, SHRIMP, EVEN BACON.
EVEN BACON. THIS SUPER BOWL BITES.
LOOK, THIS IS NOT GOOD FOOTBALL.
THAT'S A CAT FOOD COMMERCIAL.
I KNOW.
I KNOW. WHERE'S THE DANG GUACAMOLE?
I CAN TELL YOU
WHERE IT'S GONNA BE.
MEGAN.
HEY, SUPER BOWL'S ON. I DON'T CARE. COME ON.
COME ON. THE COMMERCIAL'S UP
THE COMMERCIAL'S UP IN ABOUT TWO MINUTES. IN ABOUT TWO MINUTES. YOU GOTTA WATCH.
IT'S YOUR SONG.
IT'S NOT MY SONG.
IT'S HORRIBLE BUBBLE GUM
POP GARBAGE-Y BADNESS
THAT 50 MILLION PEOPLE
ARE ABOUT TO HEAR.
I'll BE ON THE ROOF. WHY?
WHY? 'CAUSE YOU'RE NOT THERE.
DRAKE.
NO, NO, NO, NO. COME BACK HERE. COME BACK HERE.
COME BACK
HERE. LET GO OF ME. LET GO OF ME. I'M SERIOUS.
I'M SERIOUS. SO AM I.
SO AM I. NOW, SIT ON THE COUCH
AND WATCH THE COMMERCIAL.
NO. COME ON.
AND WE'LL BE RIGHT BACK AND WE'LL BE RIGHT BACK FOR THE SECOND HALF
OF SUPER BOWL SUNDAY. OF SUPER BOWL SUNDAY. COME ON.
COME ON. JUST LISTEN, LISTEN.
[MUSIC]
[MUSIC] OH MY GOD.
THAT'S MY SONG.
THAT'S MY SONG.
SSSH, DON'T SPOIL THE MOMENT.
LISTEN.
♪ MEET ME IN THE MIDDLE ♪
♪ IT JUST GOT SO SIMPLE NOW ♪
♪ 'CAUSE IT MAKES ME HAPPY ♪
♪ SAVE THE RAINY DAYS ♪ ♪ AIN'T ANOTHER TIME ♪ ♪ I'M JUST HERE TO SAY ♪
♪
READ BETWEEN THE LINES ♪
♪ I'M SO GLAD THAT YOU'RE MINE ♪
♪ 'CAUSE IT MAKES ME HAPPY ♪
MAN, THAT WAS AWESOME.
HUG ME, BROTHER. OH. YES.
OH. YES. MAN, I DON'T UNDERSTAND. MAN, I DON'T UNDERSTAND. WHY WOULD THEY END UP
USING MY VERSION OF THE SONG?
LIKE YOU SAID, BRO,
WHEN PEOPLE PLAY DIRTY,
SOMETIMES YOU GOTTA PLAY DIRTY BACK. DIRTY BACK. OH, YOU PUT FRUIT FLIES
IN KRIM'S CAR.
BETTER. I SWITCHED THE CDs.
YOU, YOU SWITCHED THE SONGS?
UH-HUH.
UH-HUH. YOU?
YOU? UH-HUH.
UH-HUH. WOW, YOU HAVE LEARNED
SOMETHING FROM ME.
YEAH. CATCH ON, BRO. YOU WANNA GO?
COME ON.
COME ON. [PHONE RINGING]
[PHONE RINGING] HELLO? YEAH.
HELLO? YEAH. YEAH, UH HUH.
YEAH, I GET IT.
OKAY, BYE.
OKAY, BYE. KRIM FROM THE RECORD COMPANY.
OH, DID THEY SEE OH, DID THEY SEE THE COMMERCIAL?
THE COMMERCIAL? HE SAW IT. HE SAW IT. OOH, WHAT DID HE SAY
ABOUT YOU SWITCHING THE SONGS?
HE SAID IT WAS ILLEGAL
AND A VIOLATION OF OUR CONTRACT,
AND THE RECORD LABEL
IS GONNA SUE US FOR $5 MILLION.
OH, WE CAN POSSIBLY GO
TO PRISON.
TO PRISON. HEY, CONGRATULATIONS, BOYS.
COME GET SOME GUACAMOLE.
[MUSIC]
WE GOTTA TELL 'EM. WE GOTTA TELL MOM AND DAD. COME ON,
COME ON, LIKE WE'RE NOT ENOUGH
LIKE WE'RE NOT ENOUGH TROUBLE ALREADY?
TROUBLE ALREADY? MAN, WHY'D YOU HAVE MAN, WHY'D YOU HAVE TO SWITCH THE SONGS?
OH, YOU WERE ALL HAPPY
DANCY ABOUT IT YESTERDAY.
THAT WAS BEFORE I
KNEW THAT WAS BEFORE I KNEW WE'D BE GETTING SUED
FOR FIVE MILLION BUCKS.
AND DON'T FORGET AND
DON'T FORGET ABOUT THE POSSIBLE TWO YEARS
IN JAIL.
IN JAIL. THANK YOU.
THANK YOU. DRAKE. HEY, I HEARD
YOUR SONG GONE TO COMMERCIAL.
IT WAS HOT, MUCH LIKE YOURSELF.
THANKS, HELEN.
THANKS, HELEN. OKAY. ONE SEC.
HELLO.
HELLO. SO, WANNA PREVIEW
OF MY FANTABULOUS WEDDING DRESS?
I GOT IT I GOT IT FROM A CZECHOSLOVAKIAN WOMAN
WHOSE HUSBAND LOST...
VERY UNFORTUNATE ACCIDENT...
[SCREAMING]
[SCREAMING] WHAT'S THAT?
WHAT'S THAT? HELP; CRAZY STEVE'S
GONE BERSERK.
GONE BERSERK. CRAZY STEVE?
CRAZY STEVE? WHO ELSE?
WHO ELSE? MONDAY; YOU CAN'T SCHEDULE
CRAZY STEVE TO WORK ON A MONDAY.
MONDAY'S HIS BAD DAY.
WELL NO ONE TOLD ME THAT.
COCK-A-DOODLE-DOO,
COCK-A-DOODLE-DOO, THE COW SAYS MOO.
COCK-A-DOODLE-DOO.
THE COW SAYS MOO. I BETTER A CALL SWAT TEAM.
NO, NO, NO, NO, NO, NO.
I GOT THIS. I GOT THIS. JOSH, DON'T.
JOSH, DON'T. STAY BACK.
STAY BACK. STAY BACK.
STAY BACK. HEY, HEY.
HEY, HEY. YOU ATE MY ENCHILADA.
WAIT, WAIT, WAIT.
NO, NO. OKAY.
♪ SHE'LL BE COMING ♪
♪ ROUND THE MOUNTAIN ♪
♪ WHEN SHE COMES ♪
♪ SHE'LL BE COMING ♪
♪ ROUND THE MOUNTAIN ♪
♪ WHEN SHE COMES ♪
♪ SHE'LL BE COMING ♪
♪ ROUND THE MOUNTAIN ♪
♪ SHE'LL BE COMIN' ♪
♪ ROUND MOUNTAIN ♪
♪ SHE'LL BE COMING ♪
♪ ROUND THE MOUNTAIN ♪
♪ WHEN SHE COMES ♪
I'M SORRY. OH, IT'S OKAY.
I'M SORRY. I'M SORRY. IT'S OKAY.
IT'S OKAY. NO, I WANNA STOP.
I KNOW.
I KNOW. BUT JOSH HAS GOT YOU.
[SCREAMING]
ALL RIGHT. NOW, I WANT YOU TO GO TO THE BREAK ROOM...
TO THE BREAK ROOM... HMM-MMM.
HMM-MMM. DRINK A CARTON OF MILK.
I PROMISE.
I PROMISE. ALL RIGHT.
ALL RIGHT. WELL, I HATE TO SAY IT
BUT GOOD WORK, JOSH.
WHY DOES THAT SONG CALM HIM DOWN?
NO ONE KNOWS.
BETTER GO MAKE SURE
HE DRINKS THAT MILK. YOU HANDLED THAT REALLY WELL,
BETTER THAN I DID.
YEAH, YOU'RE STILL THE ONE
WITH THE GOLD VEST.
OH, CAN I TELL YOU SOMETHING?
I DIDN'T TAKE THIS JOB
BECAUSE I NEEDED BECAUSE I NEEDED THE EXTRA MONEY.
YEAH, I KNOW.
YOU TOOK IT 'CAUSE YOU LOVE
TO BEAT ME AT EVERYTHING.
I TOOK IT
I TOOK IT BECAUSE I WANTED TO SPEND
MORE TIME WITH YOU.
WE BROKE UP.
I WISH WE HADN'T.
HOW LONG
HOW LONG YOU'VE BEEN THINKING THIS?
SINCE ABOUT 45 MINUTES
AFTER WE BROKE UP.
WHAT HAVE YOU BEEN THINKING?
DUDE. DUDE. WAIT, WAIT, WAIT.
NO, I CAN'T WAIT. NO, I CAN'T WAIT. THAT WAS NICK MATEO.
THE PRESIDENT THE PRESIDENT OF SPIN CITY RECORDS.
DO YOU KNOW EVERYTHING?
KIND OF. CONTINUE. HE WANTS US
TO DRIVE UP TO L.A. RIGHT NOW.
OH, OH. THIS IS BAD.
YEAH, I KNOW.
LET'S NOT GO.
NO, WE HAVE TO.
MINDY. MINDY, IS IT OKAY...
GO.
GO. [SCREAMS]
I NEED MORE MILK. [SCREAMS] ♪ SHE'LL BE COMING 'ROUND ♪
♪ SHE'LL BE COMING 'ROUND ♪ ♪ THE MOUNTAIN ♪
♪ THE MOUNTAIN ♪ ♪ WHEN SHE COMES ♪
DRAKE, JOSH, PLEASE SIT DOWN.
CAN I TURN ON THE VIBRATION? NO. OKAY.
NO. OKAY. OKAY. WHICH ONE OF YOU
WHICH ONE OF YOU SWITCHED THE SONG?
I DID. I DID. I DID.
I DID. WE BOTH DID, OKAY?
WELL, GUESS WHAT?
THERE'S RULES AND LAWS
ABOUT TELEVISION BROADCASTING.
WE COULD TURN YOU INTO THE FCC FOR WHAT YOU DID.
YEP. YOU, GUYS,
COULD BE IN A LOT OF TROUBLE,
BUT YOU'RE NOT.
WE'RE NOT? WE'RE NOT? THEY'RE NOT?
THEY'RE NOT? [LAUGHTER]
[LAUGHTER] WHY AREN'T WE?
IN THE LAST 24 HOURS,
WE'VE HAD OVER 30,000 EMAILS
AND PHONE CALLS FROM FANS
WANTING TO BUY YOUR SONG. THIS MORNING
THIS MORNING WE MADE THE SONG AVAILABLE
ON THE SPIN CITY WEBSITE,
THERE WERE SO MANY DOWNLOADS,
IT CRASHED OUR SERVER. DRAKE PARKER,
DRAKE PARKER, I THINK YOU'RE ABOUT I THINK YOU'RE ABOUT TO HAVE YOURSELF
A NUMBER ONE HIT.
OH. COULD YOU EXCUSE US?
FOR A SECOND?
JUST FOR A MOMENT.
WE'RE BACK. SO I TAKE IT WE'RE NOT IN TROUBLE ANYMORE?
IN TROUBLE ANYMORE? ON THE CONTRARY.
WE'D LIKE TO SIGN
A MULTI RECORD CONTRACT
WITH DRAKE.
WITH DRAKE. WHICH I WILL READ.
THANK YOU.
THANK YOU. EXCELLENT.
EXCELLENT. OKAY, WAIT A SECOND.
THESE GUYS JUST TOTALLY THESE GUYS JUST TOTALLY SCAMMED US
SCAMMED US AND YOU'RE GONNA REWARD THEM AND YOU'RE GONNA REWARD THEM FOR IT?
FOR IT? THEY HAD TO SCAM US
'CAUSE YOU TRIED TO RUIN
A VERY GOOD SONG,
WHICH IS WHY YOU'RE FIRED.
WHAT? YOU CAN'T FIRE ME.
OUR WIVES PLAY GOLF TOGETHER. YOUR WIFE CHEATS.
GET OUT.
HE'S PRETTY MAD. OH, YEAH. WAIT TILL HE FINDS
WAIT TILL HE FINDS SOME FRUIT FLIES IN HIS CAR.
KNUCKLE TOUCH.
WHY IS HELEN GETTING MARRIED HERE AT THE PREMIERE? JUST TO SAVE MONEY.
AH.
AH. OKAY, PEOPLE TAKE YOUR SEATS.
THE WEDDING'S ABOUT TO BEGIN.
OKAY IF I SIT BY YOU? IS IT OKAY WITH YOU?
[MUSIC]
THERE ISN'T ENOUGH LIGHT. YOU FORGOT TO PLUG IN THE 5K. I'M ONLY HUMAN.
BARELY. JUST FIX IT.
OH, OKAY, WE HAVE A SMALL FIRE. IF EVERYONE...
IF EVERYONE... FIRE.
FIRE. EVERYBODY, JUST BE CALM
ABOUT IT.
ABOUT IT. GO, GO OUT.
THERE'S A FIRE.
BREATHE IN, BREATHE OUT. BREATHE IN, BREATHE OUT. BREATHE IN, BREATHE OUT.
I KNOW HOW TO BREATHE.
JUST DO WHAT I SAY. ALL RIGHT.
ALL RIGHT. WHAT DID YOU DO?
I JUST PLUGGED IN THE 5K.
I'll PLUG IN YOUR 5K.
SHE'S GOT MY HEAD. SHE'S GOT MY HEAD. SHE'S GOT MY HEAD.
THAT'S IT. THAT'S IT. YOU TWO MARTIANS ARE NOT
GETTING YOUR $20. GETTING YOUR $20. HELEN. HELEN, BABY.
CALM DOWN. RELAX.
OKAY, KILLING THAT BOY
ISN'T GONNA HELP ANYTHING. I KNOW.
I KNOW. I JUST WANTED OUR WEDDING
TO BE PERFECT.
NOW, IT'S ALL RUINED.
NO, IT'S NOT.
OKAY, THERE WAS A LITTLE FIRE.
OR A BIG FIRE. BUT THAT DOESN'T MATTER. A WEDDING IS ABOUT TWO PEOPLE
WHO LOVE EACH OTHER,
WHO LOVE EACH OTHER, JOINING TOGETHER.
SURROUNDED BY ALL THE PEOPLE WHO LOVE THEM.
AND HERE WE ALL ARE.
YOU'RE SAYING YOU'RE SAYING I SHOULD GET MARRIED
I SHOULD GET MARRIED IN A PARKING LOT?
SO NOW I ASK YOU, BUSWELL KINCAID BAXTER, DO YOU TAKE
HELEN OFELIA DUBUOIS,
TO BE YOUR LAWFULLY WEDDED WIFE
IN SICKNESS AND IN HEALTH,
FOR RICHER OR FOR POORER,
IN GOOD TIMES AND BAD AS LONG AS YOU BOTH SHALL LIVE?
YES. I DO.
AND HELEN... AND HELEN... IF I DIDN'T,
I WOULDN'T BE HERE.
YES, I DO.
THEN BY THE POWER VESTED IN
ME BY THE STATE OF CALIFORNIA.
I PRONOUNCE YOU
HUSBAND AND WIFE.
MAZALTOV. HA-HA.
YOU MAY KISS THE BRIDE.
HI, I'M DRAKE. CARRIE. SO, YOU WANNA
SO, YOU WANNA GET BACK TOGETHER?
OKAY. BUT I GET TO BE
THE GIRLFRIEND.
THE GIRLFRIEND. HEY, JOSH.
HEY, JOSH. I GOT SOMETHING FOR YOU.
THE GOLD VEST. BUT I THOUGHT YOU... I QUIT.
I QUIT. SO THE
SO THE ASSISTANT MANAGER POSITION
IS OPEN IF YOU WANT IT.
WELL, DON'T JUST STAND THERE
WITH YOUR MOUTH HANGING OPEN. TAKE IT.
TAKE IT. PUT IT ON.
SOMEBODY HOLD THIS.
GREAT. MINDY...
GREAT. MINDY... OH, YES. OH, YES.
YES, THAT'S VERY NICE. DO YOU MIND?
SURE.
SURE. THANK YOU.
THANK YOU. HEY, DRAKE.
HEY, DRAKE. HEADS UP.
HEADS UP. LET'S HEAR THAT NUMBER ONE SONG
OF YOURS.
OF YOURS. YEAH. LET'S HEAR IT.
[CHEERING]
[CHEERING] EXCUSE ME, CONNIE.
CARRIE.
OKAY. THIS SONG IS FOR HELEN AND BUZZ AND MY MANAGER JOSH NICHOLS.
[MUSIC]
♪ HELLO, LET'S GO ♪ ♪ EVERYBODY MUST KNOW ♪ ♪ LOVE'S IN MY HEART ♪
♪ EVERYBODY MUST KNOW ♪ ♪ LOVE'S IN MY HEART
♪ ♪ LIKE A BOMB ♪
♪ BLOWING A SONG ♪
♪ INSIDE I'M SINGING ♪
♪ SUNSHINE ♪
♪ THAT YOU'RE BRINGING NOW ♪
♪ AND IT MAKES ME HAPPY ♪
♪ OH NO, THE RADIO'S ♪
♪ COMIN' THROUGH THE CITY ♪
♪ IT SOUNDS LIKE A SONG ♪
♪ THAT I WROTE ♪
♪ I'M HOLDING A NOTE ♪
♪ THAT WON'T STOP RINGING ♪
♪ I JUST CAN'T STOP ♪
♪ SINGING NOW ♪
♪ 'CAUSE IT MAKES ME HAPPY ♪
HEY. YOU PUT OUR ROOM BACK. LULA ALREADY MOVE OUT?
YEAH. SHE AND CRAZY STEVE
DROVE UP TO SANTA BARBARA FOR THE WEEKEND.
SO NO NEED FOR ME TO STAY HERE
IN THE BOOB CAVE.
HEY, WHERE'D YOU GET
THE BIG SHRIMP?
OH, SOME GUY. OH, SOME GUY. A NICK MATEO
FROM SPIN CITY RECORDS
SENT THREE DOZEN OF
'EM SENT THREE DOZEN OF 'EM OVER FOR YOU GUYS.
WELL, THEN, WHY ARE YOU
AND YOUR FRIENDS EATING THEM?
'CAUSE WE LIKE SHRIMP. MOVE. CALL ME.
CALL ME. EWWW.
OH, GREAT. THEY LEFT US ONE SHRIMP. THE BUZZARDS.
THE BUZZARDS. OH, WELL.
OH, WELL. HEY, WAIT. HEY, WAIT. WHAT?
WHAT? I WANT THE SHRIMP. I WANT THE SHRIMP. I WANT IT.
I WANT IT.
WOULD YOU GIVE IT? WOULD YOU GIVE IT? HEY.
HEY. HEY. NO, NO. HEY. NO, NO. GIVE IT.
GIVE IT. NO, I... NO, I... GIVE IT TO ME.
GET OUT OF THE WAY. GET OUT OF THE WAY. I...
I... NO. I WANT THE SHRIMP.
GIVE IT TO ME.
STAY AWAY FROM THE SHRIMP...
HEY COME ON, WOULD YOU?
I WILL PAY YOU $10. $10.
I WILL GIVE YOU $10
FOR THE SHRIMP.
WOULD YOU JUST MOVE OUT WOULD YOU JUST MOVE OUT OF THE WAY?
I'VE BEEN KNOWN
TO ENJOY SENSATIONS.
PLEASE. NO.
PLEASE. NO. YOU WILL NOT ENJOY
THAT SHRIMP WITH SAUCE
WHILE I'M AROUND.
COME ON.
COME ON. STOP IT.
STOP IT. STOP IT.
STOP IT. HEY, YOU KNOW...
HEY. SHRIMP.
HEY. SHRIMP. I WANT IT.
NO, I WANT IT.
GIVE IT.
GIVE IT. NO, NO.
NO, NO. I WANT IT. I WANT IT. GIVE ME...
GIVE ME... LET ME HAVE IT. LET ME HAVE IT. LET GO.
LET GO. I ENJOY SHELLFISH.
I WANT THE SHRIMP.
I WILL GIVE YOU FRESH SHRIMP.
THERE'S NOTHING TO SEE HERE.
I'll GIVE YOU $10.
LET GO OF THE SHRIMP.
EXCUSE ME. ARE YOU THE DRAKE AND JOSH FAMILY?
THE DRAKE AND JOSH FAMILY? YEAH.
YEAH. MY NAME'S ANDY.
I'M HELEN'S BROTHER.
OH, HEY, I'M DRAKE. NICE TO MEET YOU. NICE TO MEET YOU. NICE TO MEET YOU, MAN.
I HEARD WONDERFUL THINGS I HEARD WONDERFUL THINGS ABOUT YOU.
ABOUT YOU. AND I'M JOSH.
MM-HMM.
MM-HMM. ONE, TWO, THREE, FOUR, FIVE,
SIX, SEVEN.
SIX, SEVEN. OOH, YOU'RE IN THE DOG HOUSE.
WHO'S IN THE DOG HOUSE NOW?
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